King Crimson

When you're into music, you're always finding (or at least trying) new musical ways of expression and forms. Like any other art, that's the way you master it. Experimenting, expanding, contracting, and once again, expanding.

Many of us musicians-to-be lack this "gung ho" sort of attitude required. Many of us don't. That's what made old school rock quite different than today's.

So anyway... today I'll gonna write 'bout one of my favourite bands. In the past I just talked 'bout the guitar player, but I kinda feel like I should write 'bout the band as well. The band name is King Crimson.

Formed in January 1969, Crimson is one of those bands you never get tired of listening (If you're really a true fan at least). In their beginnings, their sound was quite an adventurous mix of jazz, rock, and odd time signatures. At the time, no one have dared to play such things. The reference point for every musician in the U.K. who wanted to do something "progressive" was the Sgt. Pepper album created by The Beatles.

In fact, that was the album that encouraged a young man to explore the boundaries of dissonance, and chords. The name of this young man was Robert Fripp, who in first place had no band at all. At the time, he was more of an Economics college student at the time, helping his father with the business he ran. On the other hand, he had quite a formal training in guitar playing, and by the time he was in his late teens, had played in some orchestras as well... That's something you definitely don't see nowadays.

The chance that let Fripp start his musical endeavours came through an ad put by Michael and Peter Giles, who were seeking a singing organist. But, instead they found a non singing guitarist. They called themselves "The Cheerful Insanity of Giles, Giles and Fripp". Later on, more people joined the band, Ian McDonald, Pete Sinfield, and finally Greg Lake, and Peter Giles left. The classic lineup of King Crimson was ready on January 13, 1969.

The name King Crimson was coined by lyricist Peter Sinfield as a synonym for Beelzebub, the Prince of Demons. According to Fripp, Beelzebub would be an anglicised form of the Arabic phrase "B'il Sabab", meaning "the man with an aim" – although it literally means "with a cause"

In the Court of the Crimson King, is the first album released by the band. Described by some rock legends as uncanny masterpiece, this is the record that "sensitive ears" who were dwelling into psychodelic experiences were shocked with. It contains one of the most challenging music ever made by a band, comprised by people between 23 and 28 years old. It is AMAZING.



- From their Hyde Park performance.

Later on, this - to me is the best - lineup disbanded, due to Greg Lake's departure to form Emerson Lake and Palmer, and Michael Giles retirement from music. Although, they performed for the next album, called In the Wake of Poseidon. It's a great album, just like its predecessor, although many people saw it just like an "extension" of the debut release.

So, since then King Crimson went through a lot of lineup changes, where they released another albums that personally I don't like but anyway, they came back to a strong sound.



This lineup consisted of Bill Brufford, Jamie Muir, David Cross, John Wetton and of course, Robert Fripp. Robert Fripp is the "Architect" behind this band, actually.

The first album they released with this lineup was "Lark's Tongues in Aspic". A very beautiful album, it starts with an angry Lark's Tongues in Aspic part I, abrassive from start to end.



But this lineup, came to an end in 1974. That's the year when Robert Fripp called it quits, and Crimson released one of the most amazing songs ever made, the epic Starless...



- This song put an end to an era where Crimson was very driven by fiercy jazz rock and experimentation, opening the gate for another new and interesting era for the band...

In the 80's, the musical scene was dominated by New Wave. In the 80's the Crimson King came back, with a total different lineup. With the exception of Bill Bruford taking the role of drummer again, the rest were quite well known musicians. Adrian Belew, the soloist, played before with Frank Zappa, and Tony Levin, the bass player, plays with Peter Gabriel since his first solo album. A superband, you might say.





- Good Stuff, isn't it?

For a brief time, this was King Crimson's most stable lineup. In further versions, they added 2 people more to the band, creating what Fripp would call "The Double Trio Band"... and as usual, it surpassed any expectations of King Crimson's fans. The new additions to the band were Trey Gunn on Warr Guitars and Pat Mastelotto on percussions. This lineup brought more like an Industrial Crimson kind of sound, heavy but also quite heavenly.



Then, the power Trio just became a quartet, with the temporal departure of Tony Levin and Bill Bruford, leaving a more sonic escaping Crimson begin.



In any case, the story of this band is one of the most interesting ones amongst rock history. One that seems to never end... as long as his leader, Robert Fripp (who I deeply admire) is alive.

Thanks for teachin' us young people how innovative a rock band could be... Crimson King

Chris Cornell

The year 2004 was running already. Back then, sometimes I used to go to a friend's house who lived near my college. And as usual, he had some musical suggestion for me (And still has, which I believe is a really cool thing 'bout my friend).

So I was sitting there, as usual watching all the cool music posters he had, specially the ones of Nirvana, and Metallica. Suddenly in the middle of a Pantera and Metallica poster (With Jason Newsted, gosh I miss that bass player)... there was one quite particular. It said "Soundgarden", and showed 4 fellas with a "Don't look at me or I'll slice you in pieces" attitude.

Weird thing is that my friend, had this music on his player, and it was this band and he asked me to listen to 'em. And I was like "Shit, that's really cool!" sort of thing... well in my thoughts actually, 'cause I was quite a reserved person back then. The song playing was Spoonman (Which led me to find the Superunknown album later on, that was the first record I heard from Soundgarden).



Everything shocked me, from the guitar sounds, the drums, the bass (Yeah the bass!) and of course, the vocals of a name I haven't heard back then, Chris Cornell.

And it's funny, I also got the chance to get the Solo efford of Chris Cornell. Well, his firts solo record, called Euphoria Morning. Which, in my opinion is GREAT, from beginning to end. It does not sound like Soundgarden at all. It does sound like Chris Cornell.



The story of this man is quite amazing and at the same time, quite an example for everyone who wants to be in music. Back then I've got the chance to get a "CD Book" of Soundgarden, it's funny it costed me like $3 but it was worth it... Every time I was like "Fuck I'm going nowhere" I picked up that book and read it, and felt better.

- Back to Chris Cornell's. - The man used to study piano while he was a teenager, but then he switched to drums. Due to make a living, he even managed himself to be a cook, and it's a funny fact, while he was working in this restaurant he used to work, he was literally alone so, spent the time practising those magnificent screams that were his signature in Soundgarden, the band he formed part of later on.

In Soundgarden, Cornell was a beast, both on stage and off stage (while composing), his presence was more of like an old warrior going to battle with an axe on one hand and with a sword in another, yelling those amazing screams he's known for... Unfortunately, the band broke up in late 1997, putting an end to one of the most amazing bands of my generation.



Outside Soundgarden, you could tell that everything he touched (or ehm, sang as a matter of fact) was pure gold. One of the greatest things he also did was the tribute band to a fella he really appreciated, called Temple of the Dog. It was a supergroup (literally) formed by Chris, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder and Jeff Ament. And well, he did paid tribute to his friend Andrew Wood. The music this band made was outstanding.



And he also collaborated with Alice in Chains in his SAP EP. You could tell, the brotherhood between musicians was in the air back then.



After a few years silent, Chris joins the fellas of Rage Against the Machine to form a new band called Audioslave. Which seemed to be the band of this times, up until Chris decided to go solo again. Quite a sad situation though, I wished to see 'em live, they were sort of near my country while they performed in Cuba, a piece of musical history I wish I witnessed.

Audioslave - like a stone
Cargado por vmedina27. - Videos de música, entrevistas a los artistas, conciertos y más.

- A song that makes me go through hard times. It still does!



- From the Cuba Performance...

Unfortunately, good things never last... like a Black Sabbath song says. And after Euphoria Morning, Chris managed to do more "commercially driven" music. Specially his last efford, Scream, where he collaborated with some guy called Timbaland. And it's a funny thing, after this collaboration happened, the man started to get more recognition than ever. Which is quite funny, 'cause no one cares about his former work but do focus more on the "hip hop" side of him. But oh well, maybe it's my fucking ego making me talk like that 'bout a man I consider one of my heroes... but I seriously can't stand his new album. I'm no one to say shit 'bout someone else's musical endeavours though.

Although, there's hope yet...



Thanks for all the great records you've put Chris... someday I've gotta see you perform, and why not (yawns, dreamin' like a fanboy haha) perform together.

Thanks, seriously.